Specters and Fresh Starts

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Yesterday, I took down what remained of this summer’s art installation. It wasn’t much. The paintings had been sold during the few days of the inauguration, so they were gone. The sculptures had apparently started to wilt in the humidity of the Dordogne, so they were gone. I found them clustered together behind the structure like a group of bewildered veterans. Halfway through July, there was a course held that needed to use part of the space, so the fundraising team opened up the installation space by removing half of the paper enclosure. Suffice to say, that was gone.

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I apologize if I sound a bit hard. I don’t mind that art gets old and changes. Yes, there is something bewildering in the fact that a once-dynamic, giving creation can become a pile of rubble. But that’s impermanence for you. And the experiences that people had while the space was complete, and that which the paintings still bring to those who have them now…that goes on for a while.

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Art is about communication, about sharing and creating space for all types of experience and perception. One thing I have left from the exhibition is a beautiful, fat stack of wishes and positive aspirations written by strangers and friends who passed through and felt moved to share.

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I think what’s strange, what gives me pause, is looking at a work of art that, it seems to me, no longer functions. As I was popping the last, tangled paper boxes off their fishing wires, some one came by to ask what I thought of the space opened up. It’s still beautiful, he said. I suppose he’s right. But to me it looks like a ghost. I’d rather it be gone, than lingering half-made. Incomplete work bothers me. Maybe because it reminds of what I could and feel I should be completing. Expired art says, “And what now?”

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Maybe something like this now.

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